“I am mixed race and have quite fair sensitive skin and thick dark hair. This made shaving a very difficult and often painful process. Stubble would always grow back within 24 hours, and trying to shave the stubble would end in bleeding and rashes. My underarms were never ‘pretty’ or ‘feminine’. I hated it and was made miserable by it. I remember wearing t-shirts with sleeves when swimming and jumpers on hot days just to cover up my prickly, irritated pits. I certainly couldn’t afford regular waxing at the age when societal pressure kicked in. I desperately wanted to have skin and hair like my friends and be accepted – not only by them but also by myself. When I was 15 I even asked my mum for laser hair removal for my birthday (luckily my mum is a badass feminist who has never really conformed to ‘beauty’ standards or bothered with non-essential grooming and firmly said ‘No. your body is beautiful, you don’t need to burn it with lasers’). When I was about 17 and in my first serious relationship with a boy who loved my body a lot more than I did, I decided to try something radical. I decided to stop putting myself through pain, to stop being angry with my body for not being the way I wanted it; I stopped shaving.
I’d like to say I never looked back but I definitely have. I’ve shaved a few times since, normally because I’ve still been unable to shake the ridiculous feeling that I won’t be able to look feminine in a ball gown with armpit hair. I’ve been self-conscious when people glance or whisper or make a comment to me. I’m ashamed to say I’ve apologised to a few people about it, feeling embarrassed and nervous and wanting to make a point of excusing it before anyone else can comment. I have still sometimes covered them up in summer, and definitely made an effort to hide it during my year of working behind a bar. I didn’t think tipsy, overly forward folks (usually men) would withhold comments on them when I reached up to get a wine glass. However, during this year, I was contacted by Ben Hopper, and eventually and slightly cautiously agreed to let him photograph me for his Natural Beauty series. The experience completely changed my feelings towards my armpits and my overall confidence increased massively. The cat was out of the bag to all of my friends and a rather wider audience than I ever imagined (over half a million!!). After reading the comments on the Facebook post I felt proud to be an example of how beautiful women’s bodies are, no matter what they choose to do with them. I felt indignant about the nastier comments and developed an ‘if you don’t like it, I don’t give a shit because it’s not for you, and your opinion on my or any woman’s body is irrelevant’ attitude. I’ve now realised that underarm hair acts as a really great asshole deterrent - just another reason to love and appreciate it. I do love it now. I may still shave from time to time, just as I may wear lipstick, or dye my hair – but like the latter two, it would be for the sake of personal choice and expression, rather than to conform to a standard I have no interest in upholding or contributing to in any way.
I think everyone should try going without any non-essential grooming at some point in their life. It will shave (pun intended) lots of time off your routine, and it’s really interesting to see what your body naturally does. You may find it freeing and empowering. You may even find that you like the way it looks as I did, and if you don’t you can always just go back to shaving, no harm done.”
- Maya Felix, December 2016.
Photographed in London as part of Ben Hopper's "Natural Beauty" project. June 19, 2014. Follow Maya on Instagram.
Available in 4 common standard A sizes:
A1 - 59.4 x 84.1 cm / 23.4" x 33.1"
A2 - 42 x 59.4 cm / 16.5" x 23.4"
A3 - 29.7 x 42 cm / 11.7" x 16.5"
A4 - 21 x 29.7 cm / 8.3" x 11.7"
Museum quality C-type print on 231gsm Fuji Crystal semi-matt archive paper. Smooth texture, bright white paper tone with slight sheen / satin finish.
Printed in London. £6 worldwide shipping from London (UK) using Royal Mail trackable service.
This is an Open Edition print. It is not signed or numbered by Ben Hopper, which makes it less pricey.